Greetings from “The Gilded Age” Season 2’s sparkling world! With its lavishness and drama “The Gilded Age”, this highly praised TV show has returned to delight our screens. The first episode of this season, “You Don’t Even Like Opera,” delves into the lives of beloved characters as well as a few fresh faces that are sure to make waves. One aspect of the complex web of personalities and plots is always sure to please the audience: the music. tvacute will give you a quick rundown of the episode and reveal the mesmerizing tune that was played during the scenes.
A Brief Recap of “The Gilded Age” Season 2 Episode 1
Let’s take a moment to review the episode’s details before delving into the song’s specifics. At the conclusion of the first season, Peggy’s son—whom she had been informed was dead—was found to be alive; however, the happy reunion takes a sad turn in the season opener. Peggy and her parents attend her son’s burial after learning that her 3-year-old kid passed away from scarlet fever. Peggy’s mother is upset with her husband for concealing their grandchild’s identity, which further exacerbates the divide between Peggy and her parents.
As the show progresses, we also hook up with Bertha Russell, who is adamant about getting a box at the prestigious opera venue in New York City, the Academy of Music. George, her spouse, starts a new endeavor in the meantime: union busting. Oscar, Agnes’s son, experiences a distinct type of difficulty following a night out when he is beaten and robbed.
However, Marian’s introduction to a new love interest is what makes this episode truly noteworthy. Agnes’s late husband’s nephew, Dashiell, is a young widower with a daughter who is 14 years old. However, it begs questions about the nature of his relationship with Marian. Robert Sean Leonard’s character, a new minister, arrives amid all the excitement and introductions. The episode ends with Bertha’s lavish “dinner of opera” and The star attraction of the event is a singer.
Which Song Plays in The Gilded Age Season 2 Episode 1?
Let’s now turn our attention to the episode’s musical component. Despite not being a musical series, “The Gilded Age” occasionally uses music to enhance the scenes’ depth and emotional impact. This episode features the song “The Jewel Song” from Charles Gounod’s opera “Faust.”
The scene in The Gilded Age at Bertha’s lavish “dinner of opera enthusiasts” is nothing short of a visual feast. The visitors were escorted into the foyer, which was embellished with exquisite floral Arches and Garlands. The star attraction of the event was a singer who was purported to be the well-known Christina Nilsson.
“The Jewel Song” is an aria from Act 3 of the French opera “Faust,” which had its world premiere at the Metropolitan Opera in an Italian translation. It is sung by a vocalist in this episode who is supposedly Christina Nilsson, the most well-known opera singer of her age.
The aria itself is a superb display of vocal virtuosity and skill. In this scene, the lady flaunts the brightness and beauty of the gems she has acquired, savoring their grandeur. This song is renowned for its complex coloratura sections and high notes that call for a very skilled and controlled vocal performance. It’s similar to seeing an Olympic athlete, although in this case, singing is the sport.
Opera is the ultimate vocal performance, to put it simply. When the episode is set in the 19th century, opera was a social occasion. In addition to enjoying the music, many gathered to see and be seen. It was like to going to a contemporary red carpet event—a chance to flaunt your best outfit and mingle with others. The place to be was the Met, with its boxes catering to the rich and famous.
Therefore, why is “The Jewel Song” in Italian for a French opera? Indeed, compared to today, the opera world of the 19th century was far less rigorous. Operas were frequently translated, changed, and adjusted to suit the preferences of the viewers. An interesting chapter in opera history, the Italian translation of “Faust” was a valid adaptation.
We were taken back in time to a period when music was more than just entertainment when we watched the character sing “The Jewel Song” in this episode. It was a magnificent sight, a demonstration of skill and extravagance, and a chance to become fully immersed in the high society of the day.
“You Don’t Even Like Opera,” the first episode of “The Gilded Age“ Season 2, returns us to the world of drama, ambition, and money. A depth of elegance and grandeur is added to the story by the music, which is “The Jewel Song” from Gounod’s “Faust,” as the protagonists navigate their complicated lives and the dynamics of Gilded Age society.
The use of music, especially opera, in this setting, enhances the watching experience by enabling us to join a society in which music serves as a status and cultural statement in addition to being a kind of entertainment.